The classic tragedy of Anthony and Cleopatra, by William Shakespeare, explores the doomed love
affair of its namesakes. Throughout the play, the lovers are plethoric over all others and remain
the central focus. As such, some(prenominal) are discussed at length and subject to in-depth analysis. Of
particular avocation to this discussion, however, is the presentation of Cleopatra and her Egyptian
setting during Enobarbuss speech. Thus, through a brief examination, this paper aims to explore the
portrayal of Egypt and its Queen in relation to the voice of the speaker.
It seems fair to assert that the voice of the speaker, in a literary context, is intended to interest
readers in the impending story. What warrants discussion, however, is the method by which such
interest is attained. With specific quality to Enobarbuss description of Cleopatra, it would seem
that initial interest in the narrative is captured by the lore of imagery.
At a superficial level, the imagery employed could be taken as a basic description of the extravagant
semblance of the scenario. For instance, the discussion pertaining to the step on it Cleopatra sat in
(II.ii.198-202) could simply be a testament of the literal appearance.
However, it would seem that
the rich descriptive terms utilised function beyond mere conveyance and act to go off the senses.
Consider, for instance, the frequent reference to colours. Throughout his speech, Enobarbus
mentions purple sails (II.ii.200), silver oars (II.ii.201), specie cloth (II.ii.206) and glowing cheeks
(II.ii.211). These are not merely particular colours given as a general image but, instead, intense
hues mentioned in signifi bottomce. As such, this not only gives the low of wealth within the
Egyptian realm, but also invokes a sense of regality on Cleopatras behalf.
Further appeal to the senses can be found in the fleeting mention of texture. Specifically,...If you take to get a full essay, order it on our website: Ordercustompaper.com
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