Intrinsically an individual pursues contentment, dictated by kind ideals, and when these originally well-intentioned notions of contentment are replaced by corrupt ideals, the success of the individuals hunt is severely compromised. T.S. Eliots poetry reflects this notion, whilst commenting on the transforming and fragmented manhood due to early 20th century conflict. American Beauty, enjoin by Sam Mendes, also communicates this idea, satirically presenting the 1990s American Dream ideals of sexual repression and excessive financial security.
In set out for an individual to hold out contentment within society, the development and upholding of unfaltering emotional connections is crucial. In Eliots The Love Song of J. Alfred Prufrock we trip up a breakdown of emotional relationships and intimacy due to probatory shifts in cordial ideals of gender roles, causing the individual to experience social anxiety and alienation. As a result of this alienation, the individual is hindered from gaining contentment, reflected by Eliot through the repetition of Do I move?
, constantly hinting at the potential within an individual for social interaction, however he quickly deems this potential irrelevant as a hyperaware Prufrock is preoccupied with a bald spot and separate crippling inadequacies, indicating a discontentment with oneself, stemming from an emotional paralysis. This paralysis alters the reputation of the individuals role within society, as visualised in the metaphorical language in the eyes that reward you in a formulated phrase… sprawling on a pin… wriggling on the wall. Prufrock is likened to a squirming insect, operate in society as an insignificant being incapable of any meaningful contributions, demonstrating the unnerving effects of extreme social change on the individual and fundamental connections in society. Thus, as humans we...If you want to get a full essay, hunting lodge it on our website: Ordercustompaper.com
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