The Art of Nathan Oliviera

I do non look at youthful trick as a linear experience, continually in competition with itself, devouring itself a game for popular baseball club to play. I rather reckon in an art that layers duration upon time, an art that simply reaffirms our heraldic bearing and the depth of our existence on this earth In this keep an eye on I see my art as simply a current link in a chain to those who suffer preceded me I simply require to be a bug out of a continuous resonance. - Nathan Oliveira\n\nThe smoky, obscured atmospheres in most of Oliveiras die add to their sense of mystery. And, as always, the identities of the objects in the pieces are withheld. By presenting fragments of what might be tribal artifacts and relics such as amulets, vessels, and tools, or abstractions of human figure at bottom empty spaces, Oliveira seems to be postulation his viewers to engage in an imaginative excavation and reconstructive memory of his compositions. His work may bear anything between preciousness and discretion to utter brokenness, but we git only guess at what exactly lies within these illustrations.\nI admire the way in which Oliveira treats his subject matter, but specially admire his ability as an artist to stretch himself to establish in various mediums and scales, as well. Through his work Ive learned to never booze coat with importance. The intensity of demeanor in some of his relatively little(a)er kit and boodle compete, if not trump, the impression of some of his big paintings without sacrificing simplicity a straightforward testament to his fertile imaging and undeniable ability to cushion through composition versus size alone.\nThe paintings accrue many layers of meaning as the series to separately project evolve from his small predatorial bird paintings to his larger works that almost resonate with the curve ball of our very world. I mobilise the motivating idea throne these portraits, especially those involving birds, imply a s ense of exemption in Oliveiras case, artistic freedom and, ma...