The power of Mother Nature has always been envied, cursed, and awe-inspiring. In venerable Anglo-Saxon literature, most works were devoted to the sea, and in The diddly it applauds the sea, but at the same time the author has esteem for its power. Robert Frosts Nothing currency Can Stay also shows this reverence and despite the fact that their subjects differ, the ideas that the two poems are attempting to get crosswise are not too different. In The Seafarer, it continuously refers to the sea as the authors passion, even so he has respect for it, My someone roams with the sea, the whales / Home, wandering to the widest corners / Of the population (59-61B The Seafarer). Yet after the trice half of the poem, it discusses what humanity is becoming, and how the world is Kept spinning by toil. All glory is tarnished (87 The Seafarer). Along with this idea that the world is slowly but surely coming to its demise, it says that postal code on this world can last forever . . . but nothing / Golden shakes the wrath of God (99B-100 The Seafarer). Nothing Gold Can Stay essentially fits this description also. Natures first putting surface is prosperous (1 Nothing Gold Can Stay).
Even though it refers to a floral perspective, it can also be relevant to wha tthe author is trying to describe in The Seafarer. By pointing out that natures first green is gold, refering to the vegetative growth seen in spring, it sets up the lector for the last line Nothing gold can stay (8 Nothing Gold Can Stay). The reader could take the passage to a literal or a figurative sense. Either the beginning of spring is something that is wonderful still temporary, or they could apply this to a worldy perspective...
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