1.In paragraphs two, decennium, and twelve of ?Once More to the Lake,? White?s pictorial use of allegorys, similes, and personification illustrates a lucid image of the loudspeaker system?s intertwining foregone and present for the reader. White starts paragraph ten with a fragment, ?Peace and goodness and jollity,? and creates a great speech pattern on his past and current feelings. He continues to illustrate his past memories with a personification of the vocal senses as he explains the die of the motorboats; ?the one-lungers throbbed and fluttered, and the twin-cylinder ones purred and purred, and that was a quiet sound too.? He then compares this bonny memory of the past to his current experience of the outboard powerboats, and exclaims, ?These motors ? whined near ones ears like mosquitoes.? This contrasting simile outlines the speaker?s transformation from one point of time to another within his illusion. He continues to use a metaphor to describe the behavior of the grizzly boats, and explains, ?The boat would leap ahead, charging bull-fashion at the dock.? After a thunderstorm passes, White describes his son as he is entering the peeing; ?As he buckled the swollen belt suddenly my counterspy felt the chill of death.
? The ?chill of death? is a metaphor for the truth White finds himself a part of, even though he is experiencing both his past and present. He realizes that the life conformation that leads to death starts with birth, and that his son?s maturity also style that the end of White is approaching. This, along with his allusion between past and present, put up White to develop his universal truth within his text. At first, while his illusion from the similar shape of the outdoors gives the infatuated perception that time has not past, his pinpointing of the different identities of the son and...
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