Poe's use of setting is his three short stories, "The Cask of Amontillado," "The Pit and the Pendulum," and "The Fall of the House of Usher."

Edgar Allan Poes Use of Setting

Setting is the physical background of a story. Normally explained at the beginning, it tells the time and place of the storys action. Words maintain the place of paints in describing textures, images, sounds, colors, and sometimes even tastes, creating a picture in the readers musical theme in which he or she can place the storys characters and actions. In identifying the ground, one should start by determining the town and class in which the story takes place. It is useful to consider how the nature of the events changes with the tantrums. The kinds of events that take place in a grocery store are usually different from those that occur in a burying ground or tomb. In three of Edgar Allan Poes short stories, The Cask of Amontillado, The controvert and the Pendulum, and Fall of the House of Usher, he uses background knowledge to paint a dark and gloomy picture in the readers mind. Easily associating duskiness with death, Poe is able to set the mood of the story before both action has taken place. Setting can be use for a variety of purposes; a single point of the setting may be described in detail, making it stand out to the reader, usually later having a strong matter on the protagonist.

Poe did not evoke a historical setting for his stories (Columbian Companion, 16). In Fall of the House of Usher, Poe has the protagonist describe the preindication and its surroundings as he is led into the mansion, using the setting as a key element to the mood of the story. Ushers house, its windows, bricks, and keep are all used to make a dispirited atmosphere. The white trunks of decayed trees, the black and lurid tarn, and the vacant, eye-like windows add up to the...

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